{"type":"people","slug":"tom-delonge","title":"Tom DeLonge","url":"https://disclosdex.com/people/tom-delonge","description":"Tom DeLonge moved from pop-punk fame into UAP advocacy through To The Stars Academy and government-video disclosures","date":"1975-12-13T00:00:00.000Z","tags":["Advocate"],"updated":"2026-05-04T17:00:00.000Z","disclosureRating":3,"connectionCount":0,"content":{"markdown":"Tom DeLonge is best understood in the UAP record as a public catalyst who brought celebrity reach, entertainment production, investor-facing company structure, and former national-security figures into the same disclosure campaign.[^1][^3][^4][^5] His strongest documented role is organizational and media-driven rather than evidentiary: he helped launch To The Stars Academy, helped publicize Navy UAP videos, and kept public attention on claims that still exceed the available public record.[^4][^5][^6][^10]\n\n## Music Career and Public Platform\n\nThe Recording Academy lists blink-182 as formed in Poway, California, in 1992, with Mark Hoppus, Travis Barker, and Tom DeLonge as members.[^1] The same profile notes that Enema of the State peaked at No. 9 on the Billboard 200, that \"All The Small Things\" reached No. 6, and that the album was certified five-times platinum by the RIAA.[^1]\n\nBlink-182's official discography places DeLonge inside the band's most commercially important run, including Dude Ranch in 1997, Enema of the State in 1999, Take Off Your Pants and Jacket in 2001, the 2003 self-titled album, and Neighborhoods in 2011.[^2] That discography identifies Neighborhoods as the final blink-182 album with DeLonge before his 2015 departure, and it identifies One More Time as the first record with Hoppus, DeLonge, and Barker together again during the 2022-2024 reunion period.[^2]\n\nDeLonge's music career matters to the disclosure story because it gave him an unusually large audience before he turned UFO themes into books, film, and company projects.[^1][^2][^3] In 2016, GQ described DeLonge as pursuing Angels & Airwaves music, comics, film, and a transmedia franchise called Sekret Machines under To the Stars Inc.[^3]\n\n## To The Stars Academy\n\nTo The Stars Academy of Arts & Science publicly launched on October 11, 2017, as a public benefit corporation combining scientists, aerospace engineers, entertainment figures, and former government-linked personnel.[^4] Its launch release named DeLonge as president and chief executive, described a plan to raise capital from accredited and unaccredited investors, and presented the company as a vehicle for research, media, and technology development around unconventional science and UAP.[^4]\n\nThe launch materials also show the central tension in the project.[^4] TTSA described ambitious goals around exotic science, space-time engineering, and an advanced electromagnetic vehicle concept, but those descriptions were company claims and project aspirations rather than public proof that such technologies existed or worked.[^4][^10]\n\n## The 2017 Disclosure Moment\n\nIn December 2017, Politico reported on the Pentagon's Advanced Aerospace Threat Identification Program and noted that Luis Elizondo, after resigning from government service, was listed as a key player in To The Stars Academy, which it described as co-founded by DeLonge.[^5] Politico also reported that TTSA's founders claimed credible UAP evidence showed exotic technologies that could change human experience, a claim that framed the company's message more strongly than the public evidence could verify.[^5][^10]\n\nThe New Yorker later reconstructed the disclosure chain in more detail, reporting that Leslie Kean met Elizondo on October 4, 2017, at Christopher Mellon's behest, reviewed documentation about the Pentagon program, and was told videos with chain-of-custody documentation could be made available for a New York Times story.[^6] The same account reported that Elizondo, Mellon, Hal Puthoff, and Jim Semivan joined TTSA after Elizondo left the Pentagon, and that DeLonge brought Elizondo onstage at the company's launch event before the December 2017 coverage appeared.[^6]\n\nThat chain makes DeLonge important to the modern disclosure sequence, but not as a lone source of the record.[^5][^6] The 2017 breakthrough depended on former officials, journalists, documentary records, and government-video provenance, with DeLonge's company serving as a public-facing organizer and amplifier.[^5][^6][^7]\n\n## Navy Videos and Public Record\n\nThe Department of Defense formally released three unclassified Navy videos on April 27, 2020, identifying them as one video from November 2004 and two from January 2015 that had circulated after unauthorized releases in 2007 and 2017.[^7] The release said the Navy had previously acknowledged the videos as Navy videos, that the authorized release did not reveal sensitive capabilities or systems, and that the observed aerial phenomena remained characterized as unidentified.[^7]\n\nThose statements support a narrow conclusion: the videos are authentic Navy footage of unresolved observations in the public record.[^7] They do not establish extraterrestrial origin, recovered craft, or the more expansive technology claims that circulated around TTSA and the broader disclosure movement.[^5][^7][^10]\n\n## Army Agreement and Research Claims\n\nOn October 17, 2019, TTSA announced a Cooperative Research and Development Agreement with the U.S. Army Combat Capabilities Development Command to explore materiel and technology ideas for Army ground vehicles.[^8] The announcement said TTSA would share discoveries with the Ground Vehicle Systems Center and Ground Vehicle Survivability and Protection, while the Army would provide laboratories, expertise, support, and resources to characterize the technologies and possible applications.[^8]\n\nThe same announcement listed material science, space-time metric engineering, quantum physics, beamed energy propulsion, and active camouflage among TTSA's stated technology areas.[^8] Those listed areas show the scope of TTSA's claims and ambitions, but they should not be read as official validation that the claimed mechanisms were real, mature, or connected to non-human technology.[^8][^10]\n\n## Business Record and Reorientation\n\nSEC filings show To The Stars Inc. was incorporated in 2017 as To The Stars Academy Of Arts and Science Inc., changed its name on November 30, 2021, and described its current business through To The Stars Media as multimedia content, books, movies, television, music, and branded merchandise.[^9] The company's 2024 semiannual filing said revenue for the six months ended June 30, 2024, rose 62 percent to $910,602, primarily because of sales of the limited edition Blackout Tom DeLonge Fender Stratocaster guitars.[^9]\n\nThe same filing said the company benefited in 2023 and 2024 from attention generated by the international tour of DeLonge's band, blink-182, and it identified DeLonge as the company's biggest influencer for branded products.[^9] It also reported that the company operated at a loss, had an accumulated deficit of $58,120,142 as of June 30, 2024, and remained dependent on additional capital through debt or equity transactions until operations could fund themselves.[^9]\n\n## Evidentiary Limits\n\nAARO's 2024 historical report reviewed official U.S. government UAP efforts since 1945, classified and unclassified archives, and about 30 interviews.[^10] AARO reported that it found no evidence that any U.S. government investigation, academic-sponsored research, or official review panel had confirmed a UAP sighting as extraterrestrial technology.[^10]\n\nAARO also reported no empirical evidence that the U.S. government or private companies had been reverse-engineering extraterrestrial technology, and it assessed that many unresolved cases lacked enough high-quality data for firm identification.[^10] For DeLonge's dossier, that means the public record supports his catalytic role in media, organizing, and disclosure advocacy, while the extraordinary technology and origin claims remain unproven in official public evidence.[^4][^7][^8][^10]\n\n## References\n\n[^1]: [Recording Academy, \"blink-182\" artist profile](https://www.grammy.com/artists/blink-182/20104)\n[^2]: [blink-182, official discography](https://www.blink182.com/pages/discography)\n[^3]: [John Lockett, \"Tom DeLonge Has Something Very Important to Tell You,\" GQ, April 2, 2016](https://www.gq.com/story/tom-delonge-ufos-interview-sekret-machines-novel)\n[^4]: [To The Stars Academy of Arts & Science, launch announcement, PR Newswire, October 11, 2017](https://www.prnewswire.com/news-releases/to-the-stars-academy-of-arts--science-launches-today-300534912.html)\n[^5]: [Bryan Bender, \"The Pentagon's Secret Search for UFOs,\" Politico, December 16, 2017](https://www.politico.eu/article/the-pentagons-secret-search-for-ufos/)\n[^6]: [Gideon Lewis-Kraus, \"How the Pentagon Started Taking U.F.O.s Seriously,\" The New Yorker, April 30, 2021](https://www.newyorker.com/magazine/2021/05/10/how-the-pentagon-started-taking-ufos-seriously)\n[^7]: [Department of Defense, \"Statement by the Department of Defense on the Release of Historical Navy Videos,\" April 27, 2020](https://www.defense.gov/News/Releases/Release/Article/2165713/statement-by-the-department-of-defense-on-the-release-of-historical-navy-videos/)\n[^8]: [To The Stars Academy of Arts & Science, CRADA announcement with U.S. Army Combat Capabilities Development Command, PR Newswire, October 17, 2019](https://www.prnewswire.com/news-releases/to-the-stars-academy-of-arts--science-announces-crada-with-the-us-army-combat-capabilities-development-command-to-advance-materiel-and-technology-innovations-300940211.html)\n[^9]: [To The Stars Inc., SEC Form 1-SA for the semiannual period ended June 30, 2024](https://www.sec.gov/Archives/edgar/data/1710274/000149315224038210/form1-sa.htm)\n[^10]: [All-domain Anomaly Resolution Office, \"Report on the Historical Record of U.S. Government Involvement with Unidentified Anomalous Phenomena, Volume I,\" March 2024](https://www.aaro.mil/Portals/136/PDFs/AARO_Historical_Record_Report_Vol_1_2024.pdf)","readingTime":"7 min read"},"relatedRecords":[],"citation":{"canonicalUrl":"https://disclosdex.com/people/tom-delonge","title":"Tom DeLonge","publisher":"Disclosdex","retrievedFrom":"https://disclosdex.com/api/v1/people/tom-delonge","license":"CC-BY-4.0"}}